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In the decades when he was running the widely influential Off Broadway nonprofit Playwrights Horizons7bet gaming or sevenbet, Tim Sanford would not have been the one driving to New Jersey to see a man about a tree.

But the truth is that Mr. Biden will speak at a time of deep uncertainty about the future of America’s role in the world, including the war in Ukraine, escalating conflicts in the Middle East and growing economic competition with China.

Over the years, Ms. Judd told her son extremely little about her missing husband, who remained unaccounted for until May of this year. The Defense Department said earlier this month that her husband, Staff Sgt. John A. Tarbert of the Air Force was killed at 24 after his plane was attacked while flying over Germany 80 years ago this Friday.

But his new theater company, a scrappy, idealistic outfit dedicated to established older playwrights, is a more hands-on operation. So one day last month, he hopped into his S.U.V. and headed across the Hudson River to bring back a freshly felled tree — he couldn’t tell you what kind — to be used in the set of a Len Jenkin play he is producing, “How Is It That We Live or Shakey Jake + Alice.”

Such is the job that Sanford, 71, made for himself when he and his wife, Aimée Hayes, the former producing artistic director of Southern Rep Theater in New Orleans, founded the Tent Theater Company. Advocacy is intrinsic to its mission. Having exited Playwrights Horizons in 2021,superace88 casino after 25 years as its artistic director, Sanford has taken up the banner of a group of artists he sees as sidelined by an industry that thrives on discovering the latest hot playwrights, yet isn’t exactly diligent about sustaining them over their lifetimes of creativity.

ImageKate Arrington and Fred Weller during a rehearsal for Len Jenkin’s new play, “How Is It That We Live or Shakey Jake + Alice.”Credit...James Estrin/The New York Times

There is, Sanford said, a feeling afoot that older playwrights should simply make way: “That kind of, you know, ‘The baby boomers had their time. Let them all go into the ash pits.’”

To him, though, age is an overlooked element of diversity — one that comes with accumulated knowledge of the human experience, and for which there is, and must be, room. It is a matter, too, of respecting these artists, whom the Tent calls elders.

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